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RAFFAELLO Sanzio Virgin Mary mk243
1504
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RAFFAELLO Sanzio Mrs Yili mk243
1504-1505
58x36cm
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RAFFAELLO Sanzio Dragon and Iimi mk243
1504-1505
58x36cm
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RAFFAELLO Sanzio Kill dragon mk243
1505
29.5x25.5cm
Oil on board
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RAFFAELLO Sanzio Kill dragon mk243
1504-1506
28.5x21.5cm
Oil on canvas
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RAFFAELLO Sanzio Three woman mk243
1504-1505
17x17cm
Oil on board
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RAFFAELLO Sanzio Portrait of woman mk243
1505-1506
66x52cm
Oil on canvas
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RAFFAELLO Sanzio Portrait of younger woman mk243
1505-1506
65x51cm
Oil on canvas
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RAFFAELLO Sanzio The virgin mary on the grass mk243
1506
113x88cm
Oil on board
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RAFFAELLO Sanzio Blessing mk243
1506
30x25cm
Oil on canvas
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RAFFAELLO Sanzio Portrait of Madali mk243
1506
63x45cm
Oil on board
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RAFFAELLO Sanzio Virgin Mary and her son mk243
1506
274x152cm
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RAFFAELLO Sanzio Portrait of Duni mk243
63x45cm
1506
Oil on board
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RAFFAELLO Sanzio Self-Portrait mk243
1506
45x33cm
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RAFFAELLO Sanzio Dumb mk243
1507
64x48cm
Oil on board
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RAFFAELLO Sanzio Christ mk243
1507
Oil on board
184x176cm
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RAFFAELLO Sanzio Detail of Christ mk243
1507
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RAFFAELLO Sanzio Meditation mk243
1508
120x105cm
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RAFFAELLO Sanzio Original sin mk243
1508
120x105cm
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RAFFAELLO Sanzio Apaul and Musi mk243
1508
120x105cm
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RAFFAELLO Sanzio
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Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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